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www.titlovi.com

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How are they knotting their ties now?
Large or small?

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What are you mumbling?

4
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The Wilson knot...
that's it, the Wilson...

5
00:02:57,500 --> 00:03:00,400
- Have you lost it again?
- Not at all.

6
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I just can't stop thinking
about what I am doing.

7
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You've always had trouble
with the simplest things.

8
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My father, with five movements,
or perhaps three,

9
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tied a perfect knot.

10
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Who were you taIking to
in the garden?

11
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- To a bore.
- To whom?

12
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- To a bore from the university.
- What does he do?

13
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I suppose the same thing all of
you do at the university.

14
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- Do you know him well?
- No.

15
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- What do you mean?
- I often run into him around there.

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- What�s his name?
- I don�t know.

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- But he must have a name.
- It�s possible.

18
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Yes? Oh, hello.

19
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It's practically all decided.

20
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I'm glad you are getting
the prize. Seriously.

21
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Good.

22
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Yes, all right.

23
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Fine.

24
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we�ll be talking.

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Good-bye.

26
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I have read a splendid book by a
Welsh writer, a marvel composition.

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You know practically nothing
about the characters,

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or their attitude about life.

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The only protagonist
is the city of Constantinople.

30
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In fact, the idea of
historical time does not exist.

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The present and the past
are blurred.

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One of the narrative cores
is the racetrack,

33
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where, throughout centuries,

34
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different urban factions
confront one another.

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- Did you read it in English?
- Yes.

36
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It was recently
published in London.

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Read it again and you'll
find that this Constantinople

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you talk about so fervently,

39
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is not the city.
but the name of a racehorse...

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If ordinary people,
those who make things work,

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were as dispersed as you,
nothing would work.

42
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You get confused
because you talk too much.

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Verbal incontinence is, in fact,
a corporate tick.

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- A tick?
- Yes, because it's compulsive.

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You get a great idea
and then test it

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by flinging it out.

47
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Sure...

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like a ball against a wall,

49
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to catch it on the rebound
and throw it again.

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A simple muscular movement.

51
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I know people in this profession
who are practically mute.

52
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Yes.

53
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Poets who don't drink,
but there are very few of those.

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I am tempted to contradict.

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It�s your obligation.

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Each of you is a comforting
mirror image of the other...

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Come now!

58
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You need each other to endure

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the hard conditions
of your profession.

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Alright, let's get busy.

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- They must be impatient outside.
- Some more than others.

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What would you say to suggesting

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that the author change the title?

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It's a hackneyed
and decadent title

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with a romantic
smell that bothers me...

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No, no! Definitely not.

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I have a sense of smell for titles.
This one is perfect.

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- Let's not complicate things.
- It shouldn't be changed.

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It's a find!

70
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I dare say it�s the best
thing about the book.

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You're small-time, but you�d
die to say something significant.

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Leave your professional abuses
for your literary gatherings...

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There are none any more...

74
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Then leave them
for another occasion.

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Welcome, Mr. Mayor.

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You have a knack
for getting people together.

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Not me, culture.

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Culture by itself
doesn't open any doors.

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That's true; you are right
in that respect.

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I appreciate you
having made the time.

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- Pawn 4 Queen.
- Knight 3, Bishop, King.

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Pawn 4, Bishop, Queen.

83
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Pawn 3, King.

84
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Pawn 3, Knight, King.

85
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- Pawn 4. Queen.
- Bishop 2, Knight.

86
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- Tartakower.
- Catalan opening.

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Barcelona, 1929.

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- May I?
- Sure.

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- See you tomorrow.
- Not tomorrow. The day after.

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- I knew you'd come.
- Really?

91
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- Yes, of course.
- Why?

92
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- I know you well.
- That�s what you think.

93
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You�re a scoundrel.

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- You look beautiful.
- Do you think so?

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- Trying to impress someone?
- What�s up?

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00:15:02,700 --> 00:15:03,600
Yes, you.

97
00:15:03,650 --> 00:15:05,200
- How are you?
- Very well.

98
00:15:05,250 --> 00:15:10,100
Hello!

99
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Is your father still
determined to seduce you?

100
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Of course! I make it
very easy for him.

101
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Don't take it so seriously.

102
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Do you know anyone with a secret,

103
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anyone with mystery?

104
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One or two...

105
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Seen anything interesting lately?

106
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An exhibit of
contemporary art.

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Stop...

108
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You and you, back inside.
Keep going.

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I think you are exaggerating...

110
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I said too little,
I should have added more...

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You enjoy enhancing your
reputation as a louse.

112
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What are you saying?
You see my innocent, angel face?

113
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I don't know what malice is...

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And what about the music?
What's wrong with music?

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No great composer
has appeared in years.

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- And why is that?
- Because silence no longer exists.

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He�s famous because
his book was liked here,

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and there by those up high
and in the middle.

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And those at the bottom?

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In arts and letters
there is no bottom,

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those on the bottom
are in the middle.

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We must give the figure
of the writer prestige,

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and these cultural events
help do this.

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A country that forgets its
writers pays dearly for it.

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What is the last thing
you�ve read?

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A 275 page report
on the subsoil of the city.

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I find it out of place.

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What are writers like?

129
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They have evolved very little.

130
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They practice an old profession.
like prostitutes and actors.

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- But they're adorable.
- Why?

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They are shy and aggressive,
and, like politicians,

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they consider themselves
much better than they are.

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- Thank you a lot.
- Not at all.

135
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The waiter has taken
my Whiskey again.

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- I won't sign without it.
- Does the glass have to be full?

137
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Of course!

138
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It's just that
I sign in two stages:

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first I write my name,

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then I take a sip
from a full glass,

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and finally
I scribble a flourish,

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cause I sign with a flourish.

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Leaving each person's idiosyncrasies,
no doubt very legitimate

144
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it would be more reasonable
and more in keeping

145
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with the residual character
of literature...

146
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I'm not signing.

147
00:19:11,800 --> 00:19:13,600
Bring me a glass of whiskey.

148
00:19:13,600 --> 00:19:15,800
- Sign, will you.
- You said the same thing last year.

149
00:19:15,800 --> 00:19:19,200
Wrong! I remember that last year
I spoke of invisible ink.

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Your memory's going.
You're getting old.

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00:19:23,700 --> 00:19:26,200
AFTER THE VOTING,
THE JURY

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AWARDS THIS PRIZE
TO THE NOVEL

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00:19:29,000 --> 00:19:31,900
"WARSAW BRIDGE".

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00:19:53,700 --> 00:19:56,500
Excuse me.
Did you expect to win?

155
00:19:56,600 --> 00:19:59,500
- I suppose so.
- Are you satisfied?

156
00:19:59,900 --> 00:20:01,800
At the moment, overwhelmed.

157
00:20:01,800 --> 00:20:04,500
What are you planning
to do with the prize?

158
00:20:04,500 --> 00:20:08,000
First spend it and then regret
having spent it so foolishly.

159
00:20:09,500 --> 00:20:12,000
Would you dedicate
this prize to someone?

160
00:20:12,100 --> 00:20:14,500
Yes, but only in case
of an Act of God.

161
00:20:14,600 --> 00:20:17,100
Would you like your book
to be a film?

162
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More than please me,
it would worry me.

163
00:20:20,100 --> 00:20:22,500
What is the last
book you've read?

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I couldn't say.
I read many at a time

165
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Do you admit the influence of American

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post-war literature on your work?

167
00:20:30,500 --> 00:20:33,500
Which American literature?
Columbian, Mexican, Peruvian?

168
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I'm referring to American,
from the USA, of course.

169
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And which post-war?

170
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World War II, Korea, Vietnam,

171
00:20:42,600 --> 00:20:45,500
or the war on the island
of Grenada?

172
00:20:46,400 --> 00:20:48,700
What will you do to
celebrate the prize?

173
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Go to a restaurant
I save for special occasions.

174
00:20:51,200 --> 00:20:53,100
What will you order?

175
00:20:53,100 --> 00:20:56,000
Yes, that I know.

176
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And you.
What do you think of quatrains?

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00:21:12,000 --> 00:21:15,200
Are you referring to quatrains of 3
verses or tercets with 1 rhyme?

178
00:21:15,900 --> 00:21:18,000
Yes, of course.

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00:21:18,000 --> 00:21:20,400
A lot has been written
on the subject.

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00:21:20,500 --> 00:21:23,400
It has even been said that
because of the fashion,

181
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many on-rhyme tercets
could have lost the 3rd verse

182
00:21:27,200 --> 00:21:29,500
becoming 2 verses or 4 verses.

183
00:21:29,500 --> 00:21:31,500
But if you want my opinion,

184
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I do not believe
in this possibility.

185
00:21:34,500 --> 00:21:37,400
Now, if you�ll allow me...

186
00:21:41,600 --> 00:21:43,400
So, how am I doing?

187
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Perfectly.

188
00:21:53,900 --> 00:21:56,900
Do you follow the same line
as in your earlier novels?

189
00:21:58,400 --> 00:22:01,400
I hope so, since one always
writes about the same things.

190
00:22:02,500 --> 00:22:05,500
And...

191
00:22:07,100 --> 00:22:10,200
- Did it take much to write it?
- In time, money or mental effort?

192
00:22:11,600 --> 00:22:13,700
Well, let's say in time.

193
00:22:13,800 --> 00:22:16,700
If you mean writing time:
three weeks.

194
00:22:18,200 --> 00:22:19,800
By hand or with a typewriter?

195
00:22:19,900 --> 00:22:21,900
- It depends...
- On what?

196
00:22:22,000 --> 00:22:25,000
I write poems by hand
and novels on the typewriter.

197
00:22:25,700 --> 00:22:27,700
And I dictate articles.

198
00:22:27,800 --> 00:22:30,400
Could you give me
a synthesis of the plot?

199
00:22:30,400 --> 00:22:33,900
If it were a film script
it would take me 30 seconds.

200
00:22:34,700 --> 00:22:37,100
For the novel,
the synthesis you want

201
00:22:37,100 --> 00:22:39,000
consists of the
200 pages of the book.

202
00:22:39,000 --> 00:22:42,300
- In other words, one has to read it.
- Or at least try to.

203
00:22:43,200 --> 00:22:46,200
All right, I'll try.

204
00:22:53,800 --> 00:22:57,200
WARSAW BRIDGE

205
00:27:08,500 --> 00:27:10,200
Body of a man.

206
00:27:10,300 --> 00:27:12,900
Age: about 45.

207
00:27:12,900 --> 00:27:15,800
Decubitus prone position.

208
00:27:18,100 --> 00:27:21,000
Right arm folded over thorax,

209
00:27:21,400 --> 00:27:24,700
left arm in unnatural position
due to fractures.

210
00:27:40,300 --> 00:27:42,300
Hyper-flexing of the head,

211
00:27:42,400 --> 00:27:45,800
face covered with mixture
of dried blood and mud.

212
00:27:47,500 --> 00:27:50,500
Probable fracture
of the spine,

213
00:27:52,200 --> 00:27:55,200
remains of encephalic mass
on the forehead.

214
00:27:55,400 --> 00:27:58,300
After washing face
to eliminate the remains,

215
00:28:00,100 --> 00:28:03,500
we observe black
and blue swollen features,

216
00:28:04,800 --> 00:28:07,300
deformed

217
00:28:07,400 --> 00:28:10,300
and fundamentally asymmetrical,

218
00:28:12,000 --> 00:28:14,800
as if the left side
of the face had

219
00:28:14,800 --> 00:28:17,800
slid vertically over
the other half,

220
00:28:17,900 --> 00:28:20,800
with the eye socket, cheek,
and jawbone on the left

221
00:28:22,100 --> 00:28:25,000
displaced towards
the centre and downwards.

222
00:28:28,000 --> 00:28:30,400
It seems evident
the fractures affect

223
00:28:30,400 --> 00:28:32,700
not only the neck and skull,

224
00:28:32,800 --> 00:28:35,800
but the whole osseous
facial mass.

225
00:28:41,300 --> 00:28:44,300
No sign of violence
on the hands,

226
00:28:46,000 --> 00:28:48,900
very neat, clean fingernails

227
00:28:49,200 --> 00:28:52,600
with no foreign matter,
such as hair or threads.

228
00:28:55,700 --> 00:28:57,900
Difficult to distinguish

229
00:28:58,000 --> 00:29:00,900
whether the skin belongs
to the palm or the back

230
00:29:02,100 --> 00:29:04,300
of the hand as there are
no calluses,

231
00:29:04,400 --> 00:29:07,400
grazes,

232
00:29:07,600 --> 00:29:10,500
or light injuries.

233
00:29:12,400 --> 00:29:15,400
In the lower abdomen

234
00:29:15,700 --> 00:29:18,600
we observe

235
00:29:19,500 --> 00:29:22,400
a bruised wound
some 20 centimeters long,

236
00:29:23,700 --> 00:29:26,700
with evisceration
of intestinal mass.

237
00:29:28,100 --> 00:29:29,700
Cause of death:

238
00:29:29,800 --> 00:29:32,800
injuries compatible with
cranialencephalic traumatism

239
00:29:32,800 --> 00:29:35,000
and traumatic shock.

240
00:29:35,100 --> 00:29:38,400
Mechanism of death compatible with
a fall from an undetermined height.

241
00:33:33,700 --> 00:33:35,900
The passing of time

242
00:33:35,900 --> 00:33:38,800
modifies my capacity to evoke

243
00:33:39,400 --> 00:33:42,400
and introduces a new system
of memory selection

244
00:33:43,900 --> 00:33:45,900
bit by bit those memories

245
00:33:45,900 --> 00:33:48,800
I could share with others
become blurred

246
00:33:48,900 --> 00:33:51,800
and those I cannot share
force themselves on me.

247
00:33:53,900 --> 00:33:56,900
They are vivid
and persistent memories,

248
00:33:57,200 --> 00:34:00,400
but not verifiable by anyone else.
There are no witnesses.

249
00:34:01,800 --> 00:34:04,800
They are like still photographs
that are redeemed

250
00:34:05,500 --> 00:34:08,500
during moments
of undefined emotion...

251
00:34:10,100 --> 00:34:11,600
streets,

252
00:34:11,600 --> 00:34:13,300
squares,

253
00:34:13,300 --> 00:34:14,900
bridges,

254
00:34:14,900 --> 00:34:17,300
open fields...

255
00:34:17,300 --> 00:34:20,300
huge iron and glass domes,

256
00:34:20,400 --> 00:34:23,400
station platforms
without passengers.

257
00:34:24,700 --> 00:34:28,200
All submerge in the slowness
and silence of distant memory.

258
00:34:32,400 --> 00:34:35,300
I caught the urban train
in Friedrichstrasse

259
00:34:36,300 --> 00:34:39,100
and went by the Warsaw Bridge.

260
00:34:39,400 --> 00:34:42,400
From the station I saw
a landscape of railroad tracks,

261
00:34:43,700 --> 00:34:46,000
cars stopped on the sidings,

262
00:34:46,000 --> 00:34:49,000
trains moving
in different directions,

263
00:34:50,000 --> 00:34:52,300
and engines making almost

264
00:34:52,400 --> 00:34:55,700
imperceptible manoeuvers
when my car started moving.

265
00:34:57,900 --> 00:35:00,000
I could see sheds,

266
00:35:00,000 --> 00:35:02,600
asbestos roofs
and chimneys,

267
00:35:02,600 --> 00:35:06,000
various buildings colored
by smoke year after year,

268
00:35:06,700 --> 00:35:09,700
eroding the original
color of the walls...

269
00:35:13,500 --> 00:35:16,500
In the background a bridge,

270
00:35:16,800 --> 00:35:19,800
the Warsaw Bridge,

271
00:35:19,900 --> 00:35:22,900
grey on an identical sky.

272
00:35:23,700 --> 00:35:26,300
For years that view

273
00:35:26,300 --> 00:35:29,300
gave me an emotional shock.

274
00:35:29,500 --> 00:35:32,500
I always intended to go
as far as the bridge some day

275
00:35:33,100 --> 00:35:36,100
to cross it from side to side.

276
00:35:36,400 --> 00:35:39,400
I never did.

277
00:36:23,000 --> 00:36:25,400
Suddenly things accelerated

278
00:36:25,400 --> 00:36:28,400
to such a fever pitch that
few could have foreseen it.

279
00:36:29,500 --> 00:36:32,500
Rather, no one foresaw it.

280
00:36:33,200 --> 00:36:36,500
That going from the old situation
to the new was staggering

281
00:36:37,100 --> 00:36:40,000
but also splendid.

282
00:36:40,200 --> 00:36:43,200
What failed
was our perception.

283
00:36:44,100 --> 00:36:46,500
In other words, ourselves.

284
00:36:46,600 --> 00:36:49,500
Do you believe there is
a reality outside of ourselves,

285
00:36:49,600 --> 00:36:52,500
an objective reality, perhaps?

286
00:36:52,900 --> 00:36:54,500
I didn�t say that.

287
00:36:54,500 --> 00:36:58,000
To get away from this objective
reality that worries you so,

288
00:36:59,600 --> 00:37:02,500
I would never say "solus ipse�
as Bishop Berkeley did.

289
00:37:03,400 --> 00:37:06,400
- The Bishop of Berkeley?
- Not the Bishop of Berkeley!

290
00:37:06,700 --> 00:37:09,700
Berkeley who was a bishop!

291
00:43:31,800 --> 00:43:36,400


292
00:44:49,200 --> 00:44:51,800
It is the human mind
that makes the distinction

293
00:44:51,800 --> 00:44:53,800
between the living
and the non-living.

294
00:44:53,800 --> 00:44:56,800
The most primitive forms
are those of a single cell.

295
00:44:57,000 --> 00:44:59,800
Cells that duplicate
themselves indefinitely.

296
00:45:00,500 --> 00:45:03,500
At this stage there is
no division of labor,

297
00:45:03,600 --> 00:45:06,500
and consequently,
no aging process.

298
00:45:07,000 --> 00:45:09,900
They are, in a way,
immortal.

299
00:45:10,000 --> 00:45:13,300
There is no doubt that
these organisms were aquatic,

300
00:45:14,600 --> 00:45:17,100
unable to live out of water.

301
00:45:17,100 --> 00:45:20,100
The primitive atmosphere of the earth
was not suitable for life.

302
00:45:20,400 --> 00:45:23,000
Because the delicate molecules

303
00:45:23,100 --> 00:45:26,000
were subjected
to strong radiations.

304
00:45:27,000 --> 00:45:29,500
Nowadays nobody except

305
00:45:29,600 --> 00:45:32,600
die-hard theologians doubt

306
00:45:32,700 --> 00:45:35,300
that life originated from

307
00:45:35,300 --> 00:45:38,100
the organic forms diluted in water.

308
00:45:38,900 --> 00:45:41,800
The evolution of plant life
is a prodigious tale;

309
00:45:42,400 --> 00:45:44,800
the adventure
of some types of algae

310
00:45:44,900 --> 00:45:47,900
that manage to leave the sea
and colonize the earth.

311
00:45:48,800 --> 00:45:52,100
The blue of the sky is a consequence
of the green of the algae,

312
00:45:53,300 --> 00:45:56,700
thanks to the intense activity
of these photosynthesizing beings.

313
00:46:01,700 --> 00:46:05,100
The first colonizers
were very simple

314
00:46:06,200 --> 00:46:09,200
and their reproductive
systems asexual.

315
00:46:11,800 --> 00:46:15,100
Sexuality is an evolutionary success
that involves paralysis

316
00:46:16,500 --> 00:46:19,100
and death,

317
00:46:19,100 --> 00:46:21,300
but which makes selection and

318
00:46:21,300 --> 00:46:24,300
the permanence of
the species possible.

319
00:46:24,500 --> 00:46:27,200
The first very rudimentary algae,

320
00:46:27,200 --> 00:46:30,200
incessantly swept by the water,

321
00:46:30,700 --> 00:46:33,600
had great difficulties...

322
00:46:34,700 --> 00:46:37,600
In the process
of evolutionary adaptation

323
00:46:37,900 --> 00:46:40,600
the algae that acquired
systems of fixation

324
00:46:40,700 --> 00:46:43,800
to the substances which protect
their cellular membranes,

325
00:46:44,600 --> 00:46:47,500
for example,
gelatinous algae, flourish.

326
00:47:09,300 --> 00:47:12,200
- What time is it? Late?
- Twenty five after twelVe.

327
00:47:12,800 --> 00:47:14,800
Some voice!
Are you hoarse?

328
00:47:14,800 --> 00:47:17,500
I talked too much.

329
00:47:17,500 --> 00:47:20,400
You should measure
your strength.

330
00:47:21,800 --> 00:47:24,900
When I finish a class,
I always feel depressed somehow.

331
00:47:26,500 --> 00:47:28,600
I digress a lot...

332
00:47:28,600 --> 00:47:31,300
but besides, today
I had the feeling

333
00:47:31,400 --> 00:47:33,500
I was saying
someone else's words.

334
00:47:33,500 --> 00:47:35,700
I'm not surprised.
You could be a medium.

335
00:47:35,700 --> 00:47:38,700
- Don't laugh. I�m serious.
- So am I!

336
00:47:38,700 --> 00:47:41,700
Oh, come on!

337
00:47:43,500 --> 00:47:46,500
Some days we have
strange feelings. That's all.

338
00:47:48,800 --> 00:47:51,800
I really think I'm not
cut out for teaching.

339
00:47:53,300 --> 00:47:56,200
You must be, you've
done it for years.

340
00:47:56,800 --> 00:47:59,500
You and most of the others
know how to act.

341
00:47:59,600 --> 00:48:02,400
I lack appeal.
I can't seduce...

342
00:48:02,500 --> 00:48:05,200
You can't seduce?

343
00:48:05,200 --> 00:48:08,200
You are the paradigm
of seduction.

344
00:48:10,100 --> 00:48:13,100
We'll go to lunch and
continue the conversation.

345
00:48:13,900 --> 00:48:16,800
- Are you serious?
- Let's talk.

346
00:48:17,700 --> 00:48:20,600
There's a restaurant that
serves baby squid with aubergine.

347
00:48:20,600 --> 00:48:23,800
Are you sure they're squid?
Not cuttlefish?

348
00:48:24,700 --> 00:48:27,600
No. squid!

349
00:48:28,300 --> 00:48:29,200
Are you sure?

350
00:48:29,200 --> 00:48:32,200
Cephalopeda decapoda dibranchiata!

351
00:48:34,000 --> 00:48:36,800
With laminar expansions

352
00:48:37,600 --> 00:48:40,000
or contractile fins
on both sides.

353
00:48:40,000 --> 00:48:43,000
Exactly!

354
00:48:44,000 --> 00:48:46,400
With a calcareous and
wide internal shell.

355
00:48:46,400 --> 00:48:48,400
Yes, but they remove it first.

356
00:48:48,500 --> 00:48:50,800
With 2 tentacles
longer than the rest.

357
00:48:50,800 --> 00:48:53,800
With a prehensile function,
and suction cups.

358
00:48:54,400 --> 00:48:55,800
With an ink gland...

359
00:48:55,900 --> 00:48:59,100
that secretes a black
liquid for defensive purposes...

360
00:49:00,100 --> 00:49:02,700
very developed crystalline eyes

361
00:49:02,800 --> 00:49:05,700
and anterior and posterior
sockets that form real images...

362
00:49:06,200 --> 00:49:09,200
and a notable visual
and tactile associative memory.

363
00:49:13,100 --> 00:49:16,000
They're not squid,
they're cuttlefish.

364
00:49:16,100 --> 00:49:19,200
They are not cuttlefish!
They're squid.

365
00:49:20,300 --> 00:49:22,400
Lolinguncula vulgaris,

366
00:49:22,500 --> 00:49:25,400
lolinguncula vulgaris.

367
00:49:25,400 --> 00:49:28,400
Squid, squid!

368
01:01:42,600 --> 01:01:43,500
Good afternoon.

369
01:01:43,600 --> 01:01:45,500
Is this the road
to "Los Arcos"?

370
01:01:45,600 --> 01:01:48,100
On the other shore.
You can't miss it.

371
01:01:48,100 --> 01:01:49,800
Thanks.

372
01:01:49,800 --> 01:01:52,700
Could you tell me
what you are doing?

373
01:01:54,400 --> 01:01:56,400
I'm putting oxygen
into the pond.

374
01:01:56,500 --> 01:01:59,400
The water is low and
the fish are dying.

375
01:01:59,900 --> 01:02:02,400
- They need oxygen.
- Right.

376
01:02:02,500 --> 01:02:05,500
Bye.

377
01:02:52,900 --> 01:02:55,800
How�re you doing?

378
01:02:59,400 --> 01:03:02,100
Oil.

379
01:03:02,200 --> 01:03:05,100
This knife cuts very well.

380
01:03:05,700 --> 01:03:07,900
- Do you wash the mushrooms?
- Yes.

381
01:03:07,900 --> 01:03:10,300
When I go near the dam,
I feel strange.

382
01:03:10,300 --> 01:03:12,500
- Does that happen to you too?
- No.

383
01:03:12,500 --> 01:03:15,000
For me a dam is just
an ordinary reality.

384
01:03:15,000 --> 01:03:18,200
The most ordinary things can
take on an unusual dimension.

385
01:03:20,800 --> 01:03:22,600
Dams are sleeping waters,

386
01:03:22,600 --> 01:03:25,600
that sometimes arouse
foul fantasies,

387
01:03:26,100 --> 01:03:28,100
they�re easy to interpret

388
01:03:28,100 --> 01:03:31,100
because they refer
to some submerged village

389
01:03:31,600 --> 01:03:33,800
or to the foreboding
of a catastrophe

390
01:03:33,800 --> 01:03:36,700
if the retaining wall
gives way.

391
01:03:37,400 --> 01:03:40,400
Even the story
about the bells in the dam

392
01:03:40,900 --> 01:03:43,900
is easy to explain
because, in fact,

393
01:03:44,300 --> 01:03:46,400
the bells do toll.

394
01:03:46,400 --> 01:03:49,400
It's been proved that when
the water level drops,

395
01:03:49,400 --> 01:03:52,100
the bells toll, whether
they are there or not,

396
01:03:52,200 --> 01:03:55,200
the bells toll.

397
01:03:56,400 --> 01:03:59,800
On the other hand,
salt marshes, swamps

398
01:04:01,300 --> 01:04:03,900
but above all lakes,
are something else.

399
01:04:04,000 --> 01:04:06,900
- Should I use flour?
- No.

400
01:04:07,300 --> 01:04:09,900
Especially lakes...

401
01:04:09,900 --> 01:04:12,200
They really do stimulate
the imagination

402
01:04:12,200 --> 01:04:15,500
with legends relating to the mysteries
of their unknown depths.

403
01:04:19,600 --> 01:04:23,000
Today a woman in the
bread shop was telling

404
01:04:23,700 --> 01:04:27,100
a strange story about her
sick sister and the bells.

405
01:04:29,500 --> 01:04:31,500
My older sister

406
01:04:31,600 --> 01:04:34,500
was put in a rest home

407
01:04:35,000 --> 01:04:37,600
because she was losing her mind.

408
01:04:37,700 --> 01:04:40,600
Suddenly she would ask me:

409
01:04:40,600 --> 01:04:42,800
Who are you?

410
01:04:43,000 --> 01:04:48,100
What are you doing here?
I felt so sorry for her.

411
01:04:48,100 --> 01:04:50,600
This morning
we went to see her

412
01:04:50,600 --> 01:04:53,600
and she seemed to
remember everything.

413
01:04:54,400 --> 01:04:57,800
She even remembered making
me the sweater I was wearing.

414
01:04:58,700 --> 01:05:02,200
Suddenly she looked at me
like a child,

415
01:05:04,100 --> 01:05:06,900
she leaned closer

416
01:05:06,900 --> 01:05:09,600
and whispering in my ear,

417
01:05:09,700 --> 01:05:12,300
she said:

418
01:05:12,400 --> 01:05:14,700
Confidentially,
why don't you tell me

419
01:05:14,700 --> 01:05:17,700
how long I've been dead.

420
01:05:18,000 --> 01:05:21,000
How long have I been dead?

421
01:05:21,200 --> 01:05:24,200
My blood went cold.

422
01:05:39,100 --> 01:05:42,100
You don�t care whether
things correspond.

423
01:05:43,100 --> 01:05:46,000
If you mean names attract me,
you're right.

424
01:05:46,200 --> 01:05:49,100
But without losing interest
in their meaning.

425
01:05:49,200 --> 01:05:52,200
At times temptation is tough.

426
01:05:52,300 --> 01:05:55,300
I think I know what
I'm dealing with.

427
01:05:57,000 --> 01:06:00,000
You probably know better
than many others.

428
01:06:00,800 --> 01:06:02,600
Does it surprise you to find

429
01:06:02,600 --> 01:06:05,300
there are real idiots
among writers?

430
01:06:05,400 --> 01:06:07,100
Idiocy does not surprise me,

431
01:06:07,200 --> 01:06:10,100
every profession has its quota.

432
01:06:12,800 --> 01:06:14,100
What bothers me

433
01:06:14,100 --> 01:06:16,200
is that the printed
word has too much prestige.

434
01:06:16,200 --> 01:06:18,900
Some printed words
merit their prestige.

435
01:06:19,000 --> 01:06:21,600
Some are like night court.

436
01:06:21,600 --> 01:06:23,600
like that band of writers

437
01:06:23,600 --> 01:06:26,600
who research into
a supposedly lived past,

438
01:06:27,300 --> 01:06:29,500
when they are really
reducing memory

439
01:06:29,600 --> 01:06:32,100
to insubstantial recollections.

440
01:06:32,100 --> 01:06:35,100
Some have a poor heritage.

441
01:06:50,300 --> 01:06:52,400
Do you want to
talk about your book?

442
01:06:52,500 --> 01:06:55,400
Is this is the best time?
Of course I do.

443
01:06:55,800 --> 01:06:57,700
You never know
what you've written

444
01:06:57,700 --> 01:07:00,300
if others don't
explain it to you.

445
01:07:00,300 --> 01:07:02,800
I can only discuss part of it now.

446
01:07:02,900 --> 01:07:05,700
- I couldn't finish it.
- You missed the best part.

447
01:07:05,800 --> 01:07:08,300
- Were you bored?
- No, that's not it.

448
01:07:08,400 --> 01:07:11,400
Then it's really serious.

449
01:07:29,800 --> 01:07:33,200
At first it works, even suggests
that it may be interesting,

450
01:07:33,800 --> 01:07:37,200
but you introduce a change
that probably makes for more sales.

451
01:07:37,900 --> 01:07:39,700
But that's another story.

452
01:07:39,700 --> 01:07:42,100
Look, I write to be read,

453
01:07:42,200 --> 01:07:45,200
and I can continue writing
because I am read.

454
01:08:23,400 --> 01:08:25,700
Yes, of course. Why?

455
01:08:25,700 --> 01:08:28,100
The reader must be
given enough clues

456
01:08:28,200 --> 01:08:31,200
to defend himself
against general stupidity.

457
01:09:39,800 --> 01:09:42,000
The public accepts anything.

458
01:09:42,000 --> 01:09:44,900
The important reader is
the one who isn�t a reader yet,

459
01:09:45,000 --> 01:09:46,900
and perhaps never will be.

460
01:09:46,900 --> 01:09:48,800
I insist, the most lucid authors

461
01:09:49,000 --> 01:09:51,900
create the most reasonable
and renovating trends.

462
01:09:52,300 --> 01:09:55,300
What you call public
should go fuck itself.

463
01:10:05,900 --> 01:10:08,800
I'll show you something
you're going to like.

464
01:11:12,600 --> 01:11:15,500
I don't want you to reproach
my rustic origins

465
01:11:16,000 --> 01:11:19,300
but a man in my village
took the same route every day.

466
01:11:19,900 --> 01:11:22,900
He would leave home at
dawn and go back at dusk.

467
01:11:23,500 --> 01:11:25,700
In both cases in the twilight,

468
01:11:25,800 --> 01:11:28,600
which is the best time,
he observed the sky.

469
01:11:28,700 --> 01:11:31,600
The man knew what he wanted.

470
01:11:32,000 --> 01:11:34,700
He traveled on a donkey.

471
01:11:34,700 --> 01:11:37,200
He got to know the heavens
so accurately

472
01:11:37,200 --> 01:11:39,500
that they said
he knew them by heart.

473
01:11:39,500 --> 01:11:42,400
On one occasion
he observed a change

474
01:11:42,900 --> 01:11:45,900
in the order of the planets
and stars.

475
01:11:46,200 --> 01:11:48,900
He stopped and noted the presence

476
01:11:49,000 --> 01:11:50,900
of a new heavenly body.

477
01:11:50,900 --> 01:11:54,000
He hurried to announce
his discovery.

478
01:11:56,100 --> 01:11:59,100
The weird thing is he
discovered it some hours

479
01:11:59,700 --> 01:12:01,200
before it was tracked at

480
01:12:01,300 --> 01:12:02,700
the Observatory at Greenwich.

481
01:12:02,800 --> 01:12:05,600
They tell many stories
like that in villages.

482
01:12:05,600 --> 01:12:06,700
Really?

483
01:12:06,700 --> 01:12:09,500
- It's logical they should.
- Really?

484
01:12:09,600 --> 01:12:12,500
Perhaps they express
a certain prevention,

485
01:12:12,800 --> 01:12:14,200
as opposed to science,

486
01:12:14,300 --> 01:12:16,100
which is an urban phenomenon.

487
01:12:16,100 --> 01:12:18,800
Now I have the interpretation.
Now what?

488
01:12:18,800 --> 01:12:22,100
Nothing, but it's natural
for different life-styles

489
01:12:23,000 --> 01:12:25,900
to create their own mythology
in self-defense.

490
01:12:27,200 --> 01:12:30,000
I think you are taking it
too literally.

491
01:12:30,000 --> 01:12:33,200
The person who made up the story
could be just a wise guy!

492
01:12:34,300 --> 01:12:37,300
It's a good story
and literally believable.

493
01:12:37,900 --> 01:12:40,500
In the right hands it would
be a good short story.

494
01:12:40,600 --> 01:12:44,000
I'm glad you said short story,
at least they are brief.

495
01:13:08,200 --> 01:13:10,700
...I was addicted to politics.

496
01:13:10,800 --> 01:13:13,700
An addiction that made me feel
worthwhile as well as free.

497
01:13:14,900 --> 01:13:17,900
For years I lived
entrenched in my dignity.

498
01:13:18,000 --> 01:13:20,900
Too entrenched... probably.

499
01:13:21,900 --> 01:13:24,200
It was not difficult
for me to put off decisions

500
01:13:24,200 --> 01:13:26,900
because I lived intensely
in the illusion that the future

501
01:13:26,900 --> 01:13:29,900
was much more real than the present.

502
01:13:30,300 --> 01:13:33,200
I lived as if I deserved
a second chance...

503
01:13:34,700 --> 01:13:36,600
I remember a name,

504
01:13:36,700 --> 01:13:38,900
the face of a friend,

505
01:13:39,000 --> 01:13:41,600
but suddenly
my mind goes blank,

506
01:13:41,600 --> 01:13:44,600
and is unable to establish
any significant ties...

507
01:13:45,900 --> 01:13:48,000
... You talk about stirring up
your memory

508
01:13:48,000 --> 01:13:50,500
but you live engrossed
in your memories...

509
01:13:50,500 --> 01:13:53,500
You use your past,
your shitty Warsaw Bridge,

510
01:13:53,600 --> 01:13:55,500
to feed your narcissism.

511
01:13:55,500 --> 01:13:58,400
You are stifled by aesthetics...

512
01:13:59,800 --> 01:14:00,900
It's true.

513
01:14:00,900 --> 01:14:03,800
You�re stifled by rather
precarious aesthetics.

514
01:14:04,000 --> 01:14:05,500
You�d better shut up.

515
01:14:05,600 --> 01:14:07,700
You�ve had things very
easy up to now.

516
01:14:07,700 --> 01:14:10,700
- You're going too far.
- Mind your own business.

517
01:14:11,700 --> 01:14:14,200
Let�s not make this something
personal when it is not.

518
01:14:14,200 --> 01:14:16,100
What do you mean?

519
01:14:16,100 --> 01:14:18,600
That you are avoiding
the question.

520
01:14:18,700 --> 01:14:21,600
And what is the question?

521
01:14:23,700 --> 01:14:25,600
You know very well,

522
01:14:25,600 --> 01:14:29,000
it's the attitude one
takes towards literature.

523
01:14:30,900 --> 01:14:33,800
Because in literature, as in
everything else, there are 2 choices:

524
01:14:34,700 --> 01:14:37,800
you either take risks or you
use it to earn a living.

525
01:14:39,000 --> 01:14:41,900
- You're a real son of a bitch!
- Probably.

526
01:21:00,700 --> 01:21:03,100
Newspapers have reported

527
01:21:03,100 --> 01:21:06,400
the strange case, of a diver
found in a burnt forest.

528
01:21:07,000 --> 01:21:09,300
According to the press,

529
01:21:09,300 --> 01:21:11,800
while filling its water tanks,

530
01:21:11,800 --> 01:21:15,300
a plane from the Forest Service
scooped up the diver

531
01:21:16,000 --> 01:21:19,500
hurling him down later
on the burning forest.

532
01:21:22,500 --> 01:21:26,500
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